I am continuing
my water and reflection themes but being Autumn (Fall) I
wanted to take advantage of the rich colours in my local
wood on the Lizard in Cornwall. This is a mixed woodland
and the leaves floating and being trapped on the stream
is beautiful. I am not revealing the wildlife subject just
yet but it will be an action painting. I am visiting the
spot every day but it changes so quickly. |
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Stealth Nov/
Dec 07 |
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| Flooded
Dec 07 |
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| Egrets
Oct/Nov 07 |
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| 52
Dunlin - Current |
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| Stealth |
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Step1
I
have washed blocks of colour in areas to take away the white gesso
and start to give me some tones to work with, I have worked in the
rotting leaves of the stream floor and started the reflections.
I am painting in areas as this will make the painting easier and
I can concentrate on a section at a time. Bite size pieces as we
used to say when training people.
As
the painting progresses you will see the shapes and colours drawing
the viewer to the bend in the stream (but this will be only part
of the finished subject)
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I
have completed some broad areas of the painting as I wanted to get
the lighting and perspective right. i also was getting bored of
painting the leaves. As you obviously can see there is no sky but
the colours and patterns let you know where this is. I will one
day complete a painting with no subject just reflections. I have
a great photo when I lived in Scotland of a mountain side reflected
in a lochan and no matter how much you look at it you can not tell
which is the mountain and which is the reflection.
The
perspective of this painting is going to be slightly different in
the fact that the immediate foreground will be as you were looking
directly down and then this will sweep away to the background, so
in effect it is as through you are lifting your eyes rather than
looking at the subject in one go. |
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At this stage I
photograph the painting and convert it to black and white to check
the tonal quality and to make any adjustments before proceeding.
As you can see the painting seems quite balanced with the 'S' leading
the eye to the light by the fallen tree, |
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I
have roughly sketched about 20 finches and a couple of Sparowhawks
and scanned them into the computer. I find this works extremely
well as I can change. delete rotate. and resize to my hearts content
until I am satisfied on the compositions.
This
is not the final selection or placement. I then draw in more detail
and transfer the sketch to the painting once I am satisfied, even
then there will be some changes. |
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I have now added
more detail to the painting and it is ready to add the subjects. |